Painting Demo in 3-Parts


I'm hoping I've come up with a faster way to "explain" the process of watercolor painting in layers. Students will have their own mini-version of this triptych in class, along with a 4x6 photo of the location. We will pre-mix a few colors in these beginning weeks.

Comments

Post a Comment

Popular posts from this blog

Our next stop? "Yupo"

Image
Step away from your pencils...if you're putting 'transfer-graphite' on the back of your homework drawing that is. Our new paper isn't paper at all, but Yupo's 100% polypropylene! Why didn't I realize this sooner: it's so translucent we can TRACE RIGHT THROUGH IT. That's the good news. Bad news is our normally SUPER pens are not quite waterproof on it, but more good news is I have some India Ink which is, so...I get to do all 12 (!!!) ink-drawings for you. I expect, um, well, dark chocolate is always appropriate. Just kidding. Here's 'stage 1' of about 3 stages. We can't work too soupy on this surface, as it takes a bit longer to dry. If either assistant is reading this - could you bring hairdryers, too? In our first stage we'll cover our entire painting in it's Mid-tones. Sort of like below. Then stage 2'll be some darker/richer tones, followed by stage 3's lighter/brighter tones and final highlights and deepest darks. I...
Read more

Escape-Artist Note cards

Image
The type came across a bit smaller than I wanted. But in a nutshell I would really like to see these mini-prints of your paintings selling like hotcakes at the upcoming Sonlight Fair! Contact me soon if you want to be a part of an artcard-collection.
Read more

This Week in Pictures: Namib Desert

Image
Miss R. Fadler. Amazing shadows. Looks like a flashlight is pointing directly at those trees. Great "depth-of-field" accomplishment. Master N. Davis. Thanks for letting me "demo" a bit on your painting. Ditto on the shadow-effect. Miss N. Buckingham. Such delicate, ethereal colors here, it's hard to believe all these students are using the very same paints...In this version (as in Miss Lee's further down the post) the focus is as much - or more - on the ink-drawing as it is on the painting. Contrast this with Miss Fadler's and Master Davis's, above and Miss Breeding's below. These latter three have nearly done-away-with the ink-drawing in favor of very bold/rich/or deep toned colors - of course any or all lines could be re-inked. So much for my fearing we'd end up with 12 cookie-cutter paintings each lesson! Miss M. Wolfe. I like this sky. Reminds me of stained-glass. Miss K. Breeding (not quite finished). Does her sky remind anyone else of a...
Read more