From a somewhat impromptu beach vacation three weeks ago. Not my best, but at least the brush was moving over paper...Golly, painting waves from photographs (not to mention storm clouds) is so-o-o much easier!
The type came across a bit smaller than I wanted. But in a nutshell I would really like to see these mini-prints of your paintings selling like hotcakes at the upcoming Sonlight Fair! Contact me soon if you want to be a part of an artcard-collection.
Is it "Worse-case..." or "Worst-case?" Either way, it's something I'm great at. (If you have cats that sometimes don't get along purr-fectly then I bet you understand my wild imaginings.) No worries after all. No spilled blood; no flying fur.
Miss R. Fadler. Amazing shadows. Looks like a flashlight is pointing directly at those trees. Great "depth-of-field" accomplishment. Master N. Davis. Thanks for letting me "demo" a bit on your painting. Ditto on the shadow-effect. Miss N. Buckingham. Such delicate, ethereal colors here, it's hard to believe all these students are using the very same paints...In this version (as in Miss Lee's further down the post) the focus is as much - or more - on the ink-drawing as it is on the painting. Contrast this with Miss Fadler's and Master Davis's, above and Miss Breeding's below. These latter three have nearly done-away-with the ink-drawing in favor of very bold/rich/or deep toned colors - of course any or all lines could be re-inked. So much for my fearing we'd end up with 12 cookie-cutter paintings each lesson! Miss M. Wolfe. I like this sky. Reminds me of stained-glass. Miss K. Breeding (not quite finished). Does her sky remind anyone else of a...
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